Statement of Practice
I have lived and worked across countries and cultures more than fifteen times. In each move, only a small number of objects travelled with me. These chosen belongings became a thread of continuity, shaping each new beginning and anchoring identity across change.
Over time, I came to understand these choices not as sentimentality, but as a practice. I call it Curatology.
Curatology recognises that we are all already curators. Each of us carries a personal museum formed through the objects we keep, repair, share, and release. These objects hold memory, identity, and lived experience. They tell stories long before we find words for them.
This practice extends beyond the personal into the collective. In organisational life, objects and artefacts such as notebooks, tools, systems, and workspaces carry meaning, relationships, and history. They connect people across roles and transitions, quietly shaping culture and collaboration. Workplaces, too, become living museums.
My work explores this intersection between art, anthropology, and human systems. Through a simple and repeatable methodology, Choose, Uncover, Reflect, Interpret, Offer (C.U.R.I.O.), I invite individuals and organisations to use everyday objects as entry points into reflection, dialogue, and shared meaning.
Curatology is not about preservation. It is about participation. It offers a way of seeing that transforms the ordinary into something worth noticing, and affirms that the museums we carry, personally and collectively, are active, evolving, and deserving of care.
– Jenny Theolin